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Urtext based on the Leipzig Mendelssohn Complete Edition. The Overture to Ruy Blas, Felix Mendelssohn Bartholdy's last overture, was not composed as an autonomously conceived score but as the

Urtext based on the Leipzig Mendelssohn Complete Edition. Certainly Robert Schumann was right when he stated soon after Beethoven's death that the latter's conception of the symphony as a great, universal

Based on Impromptus Op. 5 Nos. 5 and 6 - Urtext based on the Jean Sibelius Works Complete Edition edited by Pekka Helasvuo and Tuija Wicklund. In this edition, all three versions of the Impromptus

The authoritative Urtext edition according to the new Beethoven Complete Edition published by G. Henle Verlag. The study of all available sources, new discoveries, and source evaluations leads to a

Joachim Raff's celebrated first cello concerto is only gradually being rediscovered today. This is astounding, taking into account both the quality of the composition as well as its enthusiastic reception

Richard Strauss’s last completed tone poem is regarded as the pinnacle of his art of orchestration: “Now I’ve finally learned to orchestrate,” he himself is once supposed to have

This cantata for the first day of Christmas is one of Kuhnau's most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the

This cantata for the first Whitsun holiday is based on a text by Johann Christoph Wentzel (1659–1723). The yearly volume in which it appears dates to August 4, 1703, and is dedicated to, among others,

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very

Beethoven drafted his Eighth Symphony in F major between autumn 1811 and the winter months of 1812/13, directly after completing his Seventh Symphony; thus, these two symphonies were composed even more

Edited by Christian Rudolf Riedel. For soprano solo & orchestra. Preface in Ger. and Eng. Includes facsimiles and critical report. Duration: ca. 55'. Full score, 172 p.